Based on what appears to be a true exorcism, and shot documentary style, Chronicles of an Exorcism is the story of two amateur filmmakers who, at the request of the Church, document the exorcism of young Tina Miller over a three day period.

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

A set of vipers has been taken by the scientists, and they’ve mutated them to make a cure for cancer, Then their experiment goes awry, and all these vipers escape into the woods, and they’re not only biting people, they’re actually killing people, in a little town.

On the night of the big High-School Prom, the dead rise to eat the living, and the only people who can stop them are the losers who couldn’t get dates to the dance.

When a zombie plague infects Camp Special Dude, a dude ranch for the mentally handicapped, a ragtag band of campers and counselors struggles to survive the night. Led by the indifferent, nun-chuck-wielding head counselor, Mac, and his wheelchair-bound sister Dale, the unlikely heroes fight their way off the mountain as, one by one, they’re picked off and join the ranks of the walking dead. It’s a campy stampede of blood, boobs and gore as some “very special” people show that they can kick some serious undead ass.

Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty…or so they thought? When the Carter’s car breaks down at the old site, they’re stranded…or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren’t pulling a prank, but are out to set up a gruesome massacre.

An American scientific expedition to the frozen wastes of the Antarctic is interrupted by a group of seemingly mad Norwegians pursuing and shooting a dog. The helicopter pursuing the dog crashes leaving no explanation for the chase. During the night, the dog mutates and attacks other dogs in the cage and members of the team that investigate. The team soon realises that an alien life-form with the ability to take over other bodies is on the loose and they don’t know who may already have been taken over.

Val (’Kevin Bacon’ (qv)) and Earl (’Fred Ward (I)’ (qv)) plan to put behind their days as handymen in a small dust bowl town called Perfection. Before they can get to civilization though, they encounter numerous victims of monsters that burrow through the ground. Soon the whole town is camped out on their roofs as Val and Earl lead them to safety.

Three more stories told from a comic book are presented by the Creep. The first is about a dime-store Native American that seeks vengeance on those who killed the store’s owners. The second is about a carnivorous mass of pond scum that attacks four people on a raft. The final tale is about a rich woman who accidentally kills a hitchhiker while speeding home from an affair with a male prostitute.

Seven months after the rage virus has annihilated the British isles, the US army declares that the war against infection has been won, and that the reconstruction of the country can begin. In the first wave of returning refugees, a family is reunited—but one of them unwillingly carries a terrible secret. The virus is not yet dead, and this time, it is more dangerous than ever