When Rex, a good-natured Golden Retriever, is given bionic super powers by an eccentric scientist, he becomes the target of an evil genius determined to possess the new technology at any cost.

Even at the start of his singing career, Dean Martin is an impressive gentleman, big, tall, hansom, exquisitely dressed, fitting his nightingale voice and naturally classy appeal, even though his womanizing costs him enough in alimony to declare bankruptcy. Jerry Lewis on the other hand is an unsightly schmuck, whose buffoon version of stand-up comedy is an agent’s nightmare. When he accepts playing MC in a show with Dean, he tries interacting with him, and they hit gold judging by the audience’s reactions. Initially Dean wants to walk off and stay a solo act, but success as a duo is irresistible, and they rocket together, even in Hollywood. However in time they fall out of friendship as their characters and lifestyle clash, and Dean still dreams of solo success.

After the murder of his beloved wife, Danny Parker (Val Kilmer) is set adrift in a world where nothing is as it seems. On his journey he befriends slacker Jimmy the Fin (Peter Sarsgaard) and becomes involved in rescuing his neighbor Colette (Debra Kara Unger) from her own demons. Danny is antagonized by undercover narcotics agents (Anthony Lapaglia and Doug Hutchison) and sadistic dealer Pooh Bear (Vincent D’Onfronio).

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she’ll find her lucky break, and be shot into 1920’s stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can ‘make her showbiz career take off’. However after Roxie has undergone the ‘casting couch’ treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie’s husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent ‘good time girl’ who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie’s new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma’s star fell, so does Roxie’s, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman!

Pierce Brosnan gives one last mission as James Bond. Starting off in North Korea, Bond is betrayed and captured. 14 months later, Bond is set free, but traded for Zao (Yune) who was captured by MI6. When back in his world, Bond sets off to track down Zao. Bond gets caught up in yet another scheme which sends him to millionaire Gustav Graves (Stephens). Another MI6 agent known as Miranda Frost (Pike) is also posing as a friend of Graves. Bond is invited to a presentation held by Graves about a satellite found in space which can project a huge laser beam. Bond must stop this madman with a fellow American agent, known as Jinx (Berry). Whilst Bond tries to stop Graves and Zao, will he finally reveal who betrayed him?

When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.

Frequently cynical screenwriter Charlie Kaufman has just taken on a new assignment. That is, to adapt writer Susan Orlean’s “The Orchid Thief” into a screenplay, all of it based on the life of the eccentric John Laroche, an exotic plant collector based out of Florida. While his easygoing twin brother Donald, is writing scripts with ease, Charlie finds himself on a perpetual struggle that never seems to end.

Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.

An abused woman (Lopez) discovers that the dream man (Campbell) she married isn’t who she thought he was. She and her daughter try to escape (aided by her previous boyfriend, played by Futterman), but he pursues her relentlessly. Fearing also for the safety of her daughter, she decides that there’s only one way out of the marriage: kill him. ‘Fred Ward (I)’ (qv) has a guest-starring role.